I produce and direct across film, animation, and interactive content. I've been doing it for 20 years across formats that don't usually talk to each other.

I started on the VFX floor at Digital Domain, then spent a decade directing global brand campaigns and Emmy-winning title sequences, and documentaries with Errol Morris. From there I moved into producing features: Luce (Sundance Grand Jury Prize nominee), the upcoming Basquiat biopic SAMO Lives for NEON, MACRO, and Fifth Season, and Rock Dog, a distressed animated feature I rescued and got distributed worldwide through Lionsgate.

At Hexagram, I led creative and production for an interactive studio. AI prototypes for Meta and Disney. Location-based installations for Expo 2020 Dubai. Small team, emerging tech, high-fidelity output. I figured out how to ship without losing the craft.

Now I split time between film production and co-founding ventures in AI storytelling and spatial computing. I advise studios and brands on where new production technology creates real value and how to get creative teams to actually use it. Kellogg MBA for the frameworks. Two decades of production for the instincts.

I'm good with numbers. I'm good with people. I like figuring out what's possible, what's valuable, and what's shippable. Open to production leadership roles, creative consulting engagements, and partnerships where the work matters.